Greenwich Walk Continued:
Greenwich Walk Continued:
Thursday, July 25, 2013
London
Tate and Theater:
Since a lot of exciting things have been happening in my London life, but not too much by way of work, I decided to knuckle down and get some done. Awaking at 7.00 am, I had a quick brekkie (toast w/peanut butter and apricot jam and tea) and started to work right away—I am editing one of the chapters of my book for inclusion in an anthology on Anglo-Indians in the World Today that is being edited by Robyn Andrews of New Zealand and Fr. Brent Otto (S.J.) of Boston. They had returned the chapter to me with some recommendations for change. Once I got working on it, time just flew and before I knew it, it was 2.00 pm! I jumped up because I was hungry again: more toast for lunch with Stilton Cheese and a Salad (I am loving Pizza Express’ Balsamic Vinaigrette with its mustard overdose—nice and spicy!) and then I was off to greet the city.
Traipsing Among the Tate’s Collection:
The trouble with going to a museum to see one set of works (the Turners) is that you realize what a wealth of art exists in the rest of the museum—and you simply must see it all! So I took the Tube to Pimlico, walked to the Tate Britain and began at the beginning—literally! I progressed chronologically from the 1500s to the present. It was a treat to go from the Tudor portraits to the work of the Bloomsbury Group. I was especially delighted to see David Hockney’s portrait of Mr and Mrs. Clark and Percy which is one of Marina Vaizey’s 100 Masterpieces of Art—and which I had never seen before. I was under the impression that it was at the Tate Modern where I have often looked for it. So coming upon it was not just a surprise but a delight.
I spent about two hours at the Tate, then hopped into the 88 bus and rode to Trafalgar Square—I caught a quick glimpse of Katherina Fritsch’s newest sculpture on the Fourth Plinth that Mayor Boris Johnson unveiled yesterday—it is called Hahn/Cock and is a bright blue cockerel in what looks like plaster of Paris. Already a great deal of humor is being generated about it in the press and on the internet, not the least having to do with the double entendre of its title.
I did want to get to a printer at NYU to print out some revisions of my chapter but there wasn’t enough time. Instead I took a bus from Trafalgar Square that was heading towards Covent Garden as my next appointment was for dinner with my friend Rosemary.
Dinner at Dishoom:
I have mentioned Dishoom earlier in the week—the new(er) Indian restaurant on Upper St. Martins Lane in Covent Garden with a twist: this one serves Bombay street food which is really derived from several different cultures (Chaat and chicken tikka from North Indian, pau bhaji from Maharashtra). I was curious to see how good it was and Roz was game. We met at 6.00 pm, found a table inside (it was already packed) and ordered black daal, pau bhaji and chicken tikka with chai for her and a rose and cardamom lassi for me. I have to say that although the menu has been beautifully designed and is made very enticing by its unusual descriptions of very humble food, I was not impressed at all by the taste. Nothing really was exceptional. With a roomali roti that we split, we just about managed to finish everything (and were glad we did not take the advice of our waiter to order 6 dishes to be shared by two people—even at 3 dishes, our order was a tad too much). Not a place to which I will go again—that’s for sure. I will stick to Carluccio’s and Hare and Tortoise (where I can eat repeatedly and never get fed-up—pun intended!).
To The Duchess Theater:
Our next port of call was the Duchess Theater on Catherine Street to see August Wilson’s Fences. Roz’s brother-in-law Colin McFarlane has a major role in it (Bono) and she suggested we go to see it. I did not realize that she had seen it twice previously—she gave nothing away by way of the plot, thank goodness. I had never seen or read the play, so all was a revelation to me.
Fences is set in the American South in the 1950s and consists of a bunch of African-Americans in a domestic environment tussling with their ‘issues’—most of which have to do with difficult childhoods through tough parents. The adage” The Abused becomes the Abuser” came home to me again in the main character of Troy Maxson, played by the comedian Lenny Henry (of Chef fame). As Roz said, it was startling to see him in a serious role (although last year, I had seen him play a double role in Much Ado About Nothing at the National Theater—in one role, he was rather serious, in the other, he was a joker).Needless to say, he did a great job but Colin as Bono was just amazing—in fact, I think he was a much better actor in a terrific role. The production was directed by Paulette Randall and has been on a nation-wide tour. I understand that on Broadway, the role of Troy was played by Denzel Washington and Gabe was played by James Earl Jones. Well, these West End actors might not have been stars (well, Lenny Henry is, I suppose), but they did a sterling job and the play was very well received.
Meeting Theater Royalty:
Roz had told me that there would be an opportunity to meet the show’s actors at the Stage Door after the play—and sure enough, when we did congregate there after the curtain came down, it was only a 10 minute wait before the cast emerged to the warm congratulations of those of us who were privileged enough to meet them. I exchanged a quick few sentences with Lenny Henry and with the actress who played Rose (Tanya Moodie) and then Colin emerged and suggested we get a drink at PJ’s, a pub around the corner which is a common West End hangout. So if you want to spot stars, go there!
We spent the next hour gabbing. Colin has a beautiful voice and I was not surprised to hear that he makes the bulk of his income from voiceovers—tomorrow he has a gig with Disney. The unexpected surprise was the appearance of Costanza, playwright August Wilson’s widow, who happened to be in London (from Seattle where she lives) and came to see the show. She joined us at our table and we ended up having a very interesting discussion on the play’s rather strange and baffling end. Other cast members also popped by and soon I had exchanged a few words with most of them. They are pleased with the good reviews and reception the play has received but were clearly exhausted—mainly from the heat in the theater.
While I am reveling in all this great London theater, it is pure torture to sit in these ancient theaters that have no air-conditioning, indeed no circulation of air through any means whatsoever. I was afraid I would pass out—it was so uncomfortably hot and I was fanning myself like a lunatic throughout. During the intermission, I had to get a beer as I felt deeply dehydrated inside. It is simply my bad fortune that I am in London during its most brutal summer in years and although I am used to the harsh heat of New York and the humidity of Bombay, I no longer have the ability to withstand them.
It was about 11. 40 when Roz and I got up to leave. We walked to the Leicester Square Tube station together where we parted to take different trains. I got off at Marble Arch, switched to a bus and was at home by 12. 20–not bad at all. A few minutes later, I was in bed after what had been another productive day in London Town.
Until tomorrow, Cheerio!
Thursday, July 18, 2013:
London
It was another productive and very exciting day! Oh and really hot too! I was up by 5. 30 am and by 8. 30 am, had already put in three full hours of work at my computer. As I was on a roll, I decided not to go to Mass. Instead, I washed, dressed, breakfasted on my soaked muesli and set out to meet my day.
First item on my agenda was the bus (521 from across the street) to Waterloo Bridge to get to the National Theater. I was keen to see Anne-Marie Duff—an actress I have grown to love ever since I saw her play Elizabeth I in The Virgin Queen. The National does not sell 10 pound tickets—but they do have Day Tickets for 12 pounds and I was delighted to snag one for the 7.00 pm show. Armed with my buy, I took the bus from across the road to Bloomsbury and went directly to my NYU office at Bedford Square.
At NYU at Bedford Square:
Both weekday porters who happen to know me well and still remember my name—Mo, short for Mohammed and Mark North, were at the desk and how delighted they were to see me! They put me immediately on to my colleague Ruth who came downstairs to meet me and took me to meet Eric, our Associate Director, who joined after my time in London. We spent a little while together. It was so great to see Ruth again especially since there has been a massive change of guard and many new faces have been added to the staff roster at NYU-London. Our program has also expanded exponentially with two new adjoining houses being added to the original premises. Then I went down to the basement Computer Labs to print out some more material for editing in the next few days and about half an hour later, I was off.
Continuing Explorations at St. James’ and Piccadilly:
Leaving Bedford Square behind me, I walked to Bloomsbury to take a bus to continue my explorations of St. James’ and Piccadilly. I arrived again at the Statue of Eros at Piccadilly Circus, went into Nespresso for another reviving espresso and crossed Air Street and Regent Street to get back to Piccadilly where I returned to Fortnum and Mason to pick out a few more of their goodies to give away as gifts as I have already been receiving invitations to dinner from local London friends, who, I know would love some of their specialty foods. I discovered that on the Lower Ground floor, it is possible to stash buys in storage for later retrieval.
On to Jermyn Street I went. Here, I discovered a specialty fromagier—Paxton and Whitfield is a cheese shop that I have heard great things about from Nigella Lawson’s show and Twitterfeed. Inside, I sampled many of their wares and picked up one of their readymade “Picnic Bags” as I was running out of cheese myself: it contained 2 chunks of English Stilton, 1 nice round of goat cheese and a hunk of Gruyere—nice!
Then, I was turning into the Duke of Gloucester Street to enter St. James’ Park with its equestrian sculpture of William IV in the center. On another sizzling London day, it was filled with office-goers eating picnic lunches on the lawn. I sat myself down for a bit, then resumed my walking tour in search of the famous London Library. Although entry is strictly for members only (and a very pricey membership it is too of 465 pounds a year), I did get into the Reception area and glanced around before picking up a leaflet outlining the history of the place and its illustrious members over the years. Founded by Thomas Carlyle, it numbers both famous Victorian Charles-es—Darwin and Dickens—among its members as well as Arthur Conan Doyle, George Bernard Shaw, T.S. Eliot, Virginia Woolf, E.M. Forster, Winston Churchill, Agatha Christie, Vita Sackville-West. John Betjeman, Kingsley Amis, Tom Stoppard, both Simons—Callow and Schama–and Bruce Chatwin (and this is only a selection) among its members. Stories associated with this library are rife.
I had no time to linger and off I went towards Green Park to make a detour on to Duke’s Hotel which is the location of the famous Duke’s Bar whose bartender Gilberto once mixed the best martinis in the world (according to City Secrets London). Alas, Gilberto is no longer there but the current bartender permitted me to poke around, admire the signed photograph of Sean Connery (forever associated with James Bond who famously liked his martinins “shaken not stirred” although purists know that maritinis are neither shaken nor stirred!) on the wall. I ate my ham and Stilton sandwich lunch in the shade on lawn chairs provided by the hotel, used their facilities and then off I went again towards St. James’ Street.
Here, I paused to see two things: The famous wine merchant, the oldest one in the world, called Berry Brothers and Rudd, whose interior is worth a visit for two reasons: it is extremely old-world and atmospheric and it contains a gigantic weighing scale, once used to weigh merchandise but, by the 18th century, used to weigh the area’s well-heeled residents. I was treated to a taste of a fine liqueur called King’s Ginger (it was amazing: plainly gingerly with a hint of lemon and similar to Drambuie) and given several recipe cards contained cocktails on the back. I saw a letter from the offices that owned the Titanic informing the company that the disaster had taken a case of their wine down into the ink-black waters that night. The displays are stirring and any history buff will have a fine time browsing the walls for memorabilia, not to mention a connoisseur of fine wines. I had the time of my life
Then, following advice in City Secrets London, I entered adjoining Pickering Place, a tiny residential enclave surrounded by black brick buildings and crowned by a large sun dial in the center. It is Dickensian in the extreme and filled with scarlet geraniums spilling from window boxes which was truly lovely.
I walked on then to St. James’ Palace. Its famous twin-towered Tudor gates were closed and had no guards outside them—they were further up the road. Into Marlborough House I went, once a grand 18th century private mansion, but was told that it was not open to the public—I distinctly remember sauntering inside, a few years ago, with my friend Loreen from Wilton, Connecticut, and admiring the thick skeins of wisteria that festoon its walls and using the loo in what is today the Commonwealth offices. Next door, the Queen’s Chapel, designed by Inigo Jones, was also closed: I have plans to return to it this coming Sunday for 8. 30 am Eucharistic services. A short loop around Spencer House—childhood London home of Princess Dina and now owned by her brother the current Earl Spencer–which I had visited in March with my former student (now a London banker) Kent Lui, brought me to Green Park through which I strolled briefly at the end of a long and humid afternoon which was crammed with sun-bathers.
St. James’ area is always a joy to peruse: it has history, brilliant architecture, enticing upscale stores (some of my favorites) for unique shopping in an atmosphere in which you are made to feel like a Queen, fine parks, grand hotels—indeed it is London at its most genteel and I have always felt entitled to enjoys its amusements if only for a while.
Off to the ‘Vault’ at the Hard Rock Café:
One of the things I am doing during my stay this time round is see as many of the Fifty Unusual Museums of London (that I downloaded from the Visit Britain website) as I can. One of them mentioned the Vault at the Hard Rock Café which was in the vicinity—at the end of Piccadilly near Hyde Park. I jumped into a bus going in that direction, got off at the end of the road near the Wellington Arch and walked through crazy traffic circles and the taxis emerging out of The Mall towards the Hard Rock Café.
It is amazing but despite all our travels, the only Hard Rock Café that I have ever visited and eaten in is in New York. I had never been to the London one—which explains why I had never seen or even heard of The Vault: this is an underground treasury of musical memorabilia associated with the world of rock music. Guided tours are given every 20 minutes and I joined a couple waiting their turn before being taken downstairs at 3.00 pm by a young man.
We found ourselves in a very well-lit underground cavern (we had taken a flight of narrow stairs to get down there) into a real vault: there were thick and heavy doors through which we went past. The guide explained that these premises once belong to Coutts Bank, bankers to the royal family and that Diana’s wedding dress had once lain in this space for safe-keeping. In 1991, when the bank went out of business, and the Hard Rock Café bought the premises, it inherited the Vault—and, therefore, decided to make a true showpiece of it by acquiring, at auction, items of clothing as well as letters and musical instruments belonging to stars. It is a tiny space but crammed with all sorts of items to thrill music buffs: I spied Bob Dylan’s guitar, Madonna’s bustier (worn at one of her ‘shocking’ concerts) and her credit card (on which her name is given as Madonna Circonne), John Lennon’s army outfit, one of Jimi Hendrix’s many guitars, letters from and to The Temptations and The Beach Boys—and on and on it went. It does not take longer than 15 minutes to poke around as well as see the bevy of photographs outside featuring musical giants who have performed at the Hard Rock Café. I would say that if one is not really interested in buying souvenir merchandise sold by the café, then a visit to this Vault would be fun. I had a good time.
But I was also ready to get back to F&M to pick up my buys and then hop on to the buses to get home. I needed to rest, and to shower and dress for my evening out and indeed that was exactly what I did—I even managed to fit in a short half hour nap.
Off to the National Theater to see Strange Interlude:
My evenings at London’s theaters are getting better daily. Tonight I was spellbound by the acting talent of Anne-Marie Duff playing Nina in Eugene O’Neil’s Strange Interlude. Now this is a play I had never seen in performance; indeed it is a play with which I am unfamiliar. And what a brilliant play it turned out to be with such an unusual story and a plot that was so unpredictable because it could go anywhere. I had chosen to see this play because, as one of her long-time admirers, I could not wait to see Duff in the flesh and I was not disappointed. She was simply riveting as Nina and in the support she received from such consummate actors as Charles Edwards who played Good Old Charlie Marsden (he is familiar to fans of Downton Abbey as the married editor to whom Lady Edith is attracted and for whose newspaper she starts to contribute articles), she was superb. Indeed every one of the characters did a grand job and given the fact that I had front row seats (for 12 pounds, did I mention?) which allowed me to watch every single expression on every single actor’s face, I was in Theater Heaven. Not surprisingly, the play has received superlative reviews and I felt privileged to be able to see it for myself.
I am thrilled by these Day Tickets and hope to pick up one tomorrow for The Curious Incident of the Dog in the Night Time. On Monday, I shall try for Othello, also at the National but the ticket clerk has warned me to queue really early for that one.
As it was a very long play, it finished at 10. 30. I was home by 11.00 pm and by the time I had dinner (scrambled eggs, Cumberland sausages, salad), it was almost midnight and I was ready to call it a day. My days seems to be divided nicely between editing work, a walking tour, a museum and a play! In fact, it is London as its most varied and most entertaining. What’s not to love???
Until tomorrow, cheerio!